The Edge of Q

 

In this incredible song from the brilliant mind of Stevie Nicks, Stevie captured the essence of both her Story and her Spirit, which is our Age long Journey to find God thru the Strait and Narrow Way of Jesus Christ our Lord.

This entire song is a thank you to Tom Petty for his Family reaching out to Stevie Nicks and helping find her strength to break away from Fleetwood Mac, and move forward with her own Solo career, a brilliant career where Tom Petty ensured Stevie that he would be there with her and for her so that she could Real-Eyes her own Light, her own Genius away from all of the DISTRACTIONS of the Music Industry and the 'Out There' world.

And what Tom Petty did was to ensure Stevie that Jesus Christ IS powerfully real, embodied in the White Hat movement to Take Back our Earth from the Satanists, as Q...Q is the 17th letter of the alphabet, and Q is short for QRST, where Q = 17, R = 18, S = 19 and T = 20, and this totals to 74, and JESUS = 74...plus, phonetically, we pronounce QRST as CHRIST (77), and this is why the song is entitled Edge of Seventeen (151), as the Gematria for this title = 151, where Jesus = 74, Christ = 77 and 74 + 77 = 151.

Thus, the Edge of the Seventeen is that Epiphany Moment in Stevie's Life, where Jesus Christ re-entered her brilliant form, and once more became the Captain of her Vessell...so, as you enjoy this song, focus on how every lyric is telling of her 'Encounter' with Christ, and how HE is The 'Who, Baby, Who' in the song, and the 'Lover' that she puts first in her Life!

And remember, Real Friends are those who you can count on, and ALL Real Friends in this world have one thing in common, they put God FIRST in their lives, as they walk the Strait and Narrow Way of Jesus Christ. Tom Petty and his Divine Band, The Heartbreakers, gave of themselves tirelessly, to help Stevie create her own Brilliant Solo Career, and Stevie Nicks has done so now for countless others...and is exactly how this 'World' is supposed unfold...where Kindness (Christ) is KING.

Analysis by Charlie Freak